• 16.825

    Cobalt Green


    Color: Cobalt Green
    Permanence: AA
    Opacity: Opaque
    Pigment: PG50
    Pigment description: Cobalt Titanate Green
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number: 77377
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.408

    Sap Green (Hue)


    Color: Sap Green (Hue)
    Permanence: A
    Opacity: Opaque
    Pigment: PY83, PG7
    Pigment description: Diarylide, Chlorinated Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.423

    Olive Green


    Color: Olive Green
    Permanence: AA
    Opacity: Opaque
    Pigment: PG7, PY42, PR101
    Pigment description: Chlorinated Copper Phthalocyanine, Synthetic Iron Oxides
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.420

    Green Earth


    Color: Green Earth
    Permanence: AA
    Opacity: Transparent
    Pigment: PG23, PBk11
    Pigment description: Natural Green Earth, Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.318

    Gold Ochre


    Color: Gold Ochre
    Permanence: AA
    Opacity: Opaque
    Pigment: PY42, PR101
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.317

    Yellow Ochre


    Color: Yellow Ochre
    Permanence: AA
    Opacity: Opaque
    Pigment: PY43
    Pigment description: Natural Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Natural inorganic
    Color Index Number: 77492
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.424

    Transoxide Yellow


    Color: Transoxide Yellow
    Permanence: AA
    Opacity: Transparent
    Pigment: PY42
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number: 77492
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.304

    Mars Yellow


    Color: Mars Yellow
    Permanence: AA
    Opacity: Opaque
    Pigment: PY42
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number: 77492
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.305

    Mars Orange


    Color: Mars Orange
    Permanence: AA
    Opacity: Opaque
    Pigment: PY42, PR101
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.306

    Mars Red


    Color: Mars Red
    Permanence: AA
    Opacity: Opaque
    Pigment: PR101
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number: 77491
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.425

    Transoxide Red


    Color: Transoxide Red
    Permanence: AA
    Opacity: Transparent
    Pigment: PR101
    Pigment description: Synthetic Red Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number: 77491
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.310

    Raw Sienna


    Color: Raw Sienna
    Permanence: AA
    Opacity: Semi-transparent
    Pigment: PBr7
    Pigment description: Natural Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Natural inorganic
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.311

    Burnt Sienna


    Color: Burnt Sienna
    Permanence: AA
    Opacity: Opaque
    Pigment: PBr7, PY42, PR101
    Pigment description: Calcined Natural and Synthetic Iron Oxides
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.307

    Burnt Rose Dark


    Color: Burnt Rose Dark
    Permanence: AA
    Opacity: Opaque
    Pigment: PBk11, PBr7
    Pigment description: Calcined Natural and Synthetic Iron Oxides
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.312

    Mars Violet


    Color: Mars Violet
    Permanence: AA
    Opacity: Opaque
    Pigment: PR101, PBk11
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.308

    Raw Umber


    Color: Raw Umber
    Permanence: AA
    Opacity: Opaque
    Pigment: PY43, PBk11
    Pigment description: Natural and Synthetic Iron Oxides
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.302

    Burnt Umber


    Color: Burnt Umber
    Permanence: AA
    Opacity: Opaque
    Pigment: PBr7
    Pigment description: Calcined Natural Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Natural inorganic
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 16.313

    Van Dyck Brown


    Color: Van Dyck Brown
    Permanence: AA
    Opacity: Opaque
    Pigment: PR101, PY42, PBk11
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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