• 16.321

    Dark Grey


    Color: Dark Grey
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PBk9, PBr7
    Pigment description: Rutile Titanium Dioxide, Material Carbonized, Calcined Natural Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.322

    Medium Grey


    Color: Medium Grey
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PBk9, PBr7
    Pigment description: Rutile Titanium Dioxide, Material Carbonized, Calcined Natural Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.323

    Light Grey


    Color: Light Grey
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PBk9, PBr7
    Pigment description: Rutile Titanium Dioxide, Material Carbonized, Calcined Natural Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.412

    Payne’s Grey


    Color: Payne’s Grey
    Permanence: AA
    Opacity: Opaque
    Pigment: PB29, PY42, PBk11
    Pigment description: Silicate of Sodium and Aluminum with Sulfur, Synthetic Iron Oxides
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.301

    Lamps Black


    Color: Lamps Black
    Permanence: AA
    Opacity: Opaque
    Pigment: PBk7
    Pigment description: Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic organic
    Color Index Number: 77266
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.309

    Mars Black


    Color: Mars Black
    Permanence: AA
    Opacity: Opaque
    Pigment: PBk11
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number: 77499
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.319

    Ivory Black


    Color: Ivory Black
    Permanence: AA
    Opacity: Opaque
    Pigment: PBk9
    Pigment description: Carbonized Material (Amorphous Carbon)
    ASTM Rating Ligthfastness: I
    Pigment classification: Natural inorganic
    Color Index Number: 77267
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.320

    Zinc White


    Color: Zinc White
    Permanence: AA
    Opacity: Transparent
    Pigment: PW4
    Pigment description: Zinc Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number: 77947
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.303

    Titanium White Rutile


    Color: Titanium White Rutile
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6
    Pigment description: Rutile Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Natural inorganic
    Color Index Number: 77891
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.314

    Titanium White Anatase


    Color: Titanium White Anatase
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6
    Pigment description: Anatase Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number: 77891
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.701

    Silver


    Color: Silver
    Permanence: A
    Opacity: Opaque
    Pigment: Mica, PBk7
    Pigment description: Mica, Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.702

    Gold


    Color: Gold
    Permanence: A
    Opacity: Opaque
    Pigment: Mica
    Pigment description: Mica
    ASTM Rating Ligthfastness: II
    Pigment classification: Inorganic
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.703

    Bronze


    Color: Bronze
    Permanence: A
    Opacity: Opaque
    Pigment: Mica, PBk7
    Pigment description: Mica, Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.704

    Copper


    Color: Copper
    Permanence: A
    Opacity: Opaque
    Pigment: Mica, PR101
    Pigment description: Mica, Synthetic Iron Oxide
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.705

    Antique Gold


    Color: Antique Gold
    Permanence: A
    Opacity: Opaque
    Pigment: Mica, PR101, PBk7
    Pigment description: Mica, Synthetic Iron Oxide, Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.706

    Antique Silver


    Color: Antique Silver
    Permanence: A
    Opacity: Opaque
    Pigment: Mica, PBk7
    Pigment description: Mica, Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.507

    Graphite


    Color: Graphite
    Permanence: AA
    Opacity: Opaque
    Pigment: PBk10
    Pigment description: Crystallized Carbon
    ASTM Rating Ligthfastness: I
    Pigment classification: Natural inorganic
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product
  • 16.616

    Fluorescent Yellow


    Color: Fluorescent Yellow
    Permanence: B
    Opacity: Transparent
    Pigment: Fluo
    Pigment description: Fluorescent Yellow
    ASTM Rating Ligthfastness:
    Pigment classification:
    Color Index Number:
    Viscosity range (mPa.s): 20.000 – 25.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    View Product