• 4.015

    Carnation Pink


    Opacity: Opaque
    Pigment: PO73, PW6, PY83
    Pigment Description: Diketopyrrolo-pyrrol orange, Titanium Dioxide, Diarylide Yellow
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.041

    Vermilion


    Opacity: Opaque
    Pigment: PR179, PR254
    Pigment Description: Perylene, Diketopyrrolo-pyrrol red
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.042

    Cadmium Red (Hue)


    Opacity: Semiopaque
    Pigment: PR179, PR254
    Pigment Description: Perylene, Diketopyrrolo-pyrrol red
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.045

    Primary Magenta


    Opacity: Opaque
    Pigment: PR122, PW6
    Pigment Description: Quinacridone, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.051

    Rose Red


    Opacity: Opaque
    Pigment: PR112, PR146, PW6
    Pigment Description: Naphthol AS, Titanium Dioxide
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.052

    Dark Rose Red


    Opacity: Opaque
    Pigment: PR146, PW6
    Pigment Description: Naphthol AS, Titanium Dioxide Rutile
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.049

    Red Violet


    Opacity: Opaque
    Pigment: PV19, PW6
    Pigment Description: Quinacridone, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 70.241

    Shasvastii


    The set is the perfect introduction for newcomers to the wonderful hobby of miniature painting and contains 8 colors, an exclusive Nox Miniature (Forward Observer) only available in this presentation and a step-by-step by Ángel Giráldez.

    Contains:
    70.918 Ivory
    70.035 Dead Flesh
    70.815 Basic Skin Tone
    70.845 Sunny Skin Tone
    70.810 Royal Purple
    72.011 Gory Red
    70.859 Black Red
    70.950 Black


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  • 70.239

    O-12


    The set is the perfect introduction for newcomers to the wonderful hobby of miniature painting and contains 8 colors, an exclusive Kappa Unit Miniature (Medikit) only available in this presentation and a step-by-step by Ángel Giráldez.

    Contains:
    70.950 Black
    70.899 Dark Prussian Blue
    70.962 Flat Blue
    70.961 Sky Blue
    70.921 English Uniform
    70.923 Japan Uniform WWII
    70.808 Blue Green
    70.858 Ice Yellow


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  • 77.090

    Magic Dust


    The Magic Dust paint set contains the following high contrast chromatic references. Includes 6 The Shifters in bottles of 17 ml./0.57 fl.oz., with eyedropper.

    Content:
    77.001 Violet/Old Copper
    77.006 Gold/Pale Blue
    77.007 Pearl/Violet
    77.011 Old Silver/Violet
    77.012 Silver/Pink
    77.015 Gold Yellow/Burnt Orange


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  • 77.091

    Space Dust


    The Space Dust paint set contains the following warm shades with subtle chromatic variations. Includes 6 The Shifters in bottles of 17 ml./0.57 fl.oz., with eyedropper.

    Content:
    77.003 Orange / Violet
    77.004 Electric Blue / Intense Violet
    77.005 Green / Blue Violet
    77.013 Bright Gold / Brown
    77.014 Old Gold / Grey Violet
    77.016 Red / Gold


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  • 77.092

    Galaxy Dust


    The Galaxy Dust paint set contains the following cold shades with subtle chromatic variations. Includes 6 The Shifters in bottles of 17 ml./0.57 fl.oz., with eyedropper.

    Content:
    77.002 Light Violet / Green
    77.008 Green Gold / Cold Blue
    77.009 Turquoise / Violet
    77.010 Emerald Green / Mauve
    77.017 Green / Silver Blue
    77.018 Dark Green / Tin


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  • 4.057

    Blue Violet


    Opacity: Opaque
    Pigment: PV23, PW6
    Pigment Description: Dioxazine, Titanium Dioxide
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 70.237

    Haqqislam


    This paint set provides you with all the colors needed to paint the models belonging to the Haqqislam Army. Included in the set you will find a Ghulam Infantry exclusive miniature only available in this presentation. In addition, you can follow Ángel Giráldez’s step by step guide to assist you in painting your miniature with spectacular results.
    A set designed for beginners in the hobby, amateur painters looking to expand their skills, or experts who want to have all the colors needed to paint their favorite miniatures in a single pack.

    Content:
    70.950 Black
    70.983 Flat Earth
    72.153 Heavy Brown
    70.847 Dark Sand
    70.823 Luftwaffe Cam. Green
    70.922 Uniform Green
    70.845 Sunny Skin Tone
    70.953 Flat Yellow


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  • 70.235

    Yu Jing


    This paint set provides you with all the colors needed to paint the models belonging to the Yu Jing Army. Included in the set you will find a Zhanshi Forward Observer exclusive miniature only available in this presentation. In addition, you can follow Ángel Giráldez’s step by step guide to assist you in painting your miniature with spectacular results.
    A set designed for beginners in the hobby, amateur painters looking to expand their skills, or experts who want to have all the colors needed to paint their favorite miniatures in a single pack.
    Contains 8 Model Color in 17 ml./0.57 fl.oz. bottles and an Exclusive Zhanshi Forward Observer only available in this presentation. Content:
    70.950 Black
    72.147 Heavy Black Green
    70.309 Periscopes
    70.982 Cavalry Brown
    70.981 Orange Brown
    72.038 Scrofulous Brown
    70.858 Ice Yellow
    70.951 White


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  • 4.059

    Prussian Blue (Hue)


    Opacity: Opaque
    Pigment: PB15:0, PBk11, PW6
    Pigment Description: Copper Phthalocyanine Blue, Black Iron oxide, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness:
    I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.062

    Dark Blue


    Opacity: Opaque
    Pigment: PB15:0, PW6
    Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.063

    Primary Blue


    Opacity: Opaque
    Pigment: PB15:3, PW6
    Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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