Vallejo Acrylic Artist Fluid Colors formulated with the best artists pigments available, chosen for their beauty, maximum stability and maximum of light fastness. The pigments are dispersed in an 100% acrylic polymer emulsion. The range contains both organic and inorganic pigments, such as quinacridone, cobalt and pyrroles, and is free of additives which are considered fillers or matting agents; the drying of these colors will be brilliant, satin or matt, and opaque or transparent depending on the nature of the pigment. Acrylic Artist Fluid Colors have a viscosity of 1000 to 2000-cPs and brush on to a smooth, even film. The Fluid colors are very versatile: ideal for pouring and dropping techniques, staining and glazing, shading or as an alternative to watercolors, they are used in airbrushing techniques when diluted with Airbrush Thinner. The colors dry water-resistant, non- yellowing and UV resistant, to form a film of excellent adhesion, flexibility and resistance, and can be mixed or combined with our mediums and textures.
Fluid Artist Acrylic conforms to the European Security Regulations and Environmental Standards of the REACH Protocol and to the U.S.A. certification ASTM D-4236 (No Health Label Required.
Color: Hansa Yellow
Permanence: A
Opacity: Semi-transparent
Pigment: PY3
Pigment description: Arylide Yellow
ASTM Rating Ligthfastness: II
Pigment classification: Synthetic organic
Color Index Number: 11710
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Hansa Yellow Opaque
Permanence: AA
Opacity: Semi-transparent
Pigment: PY74
Pigment description: Arylide Yellow
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 11741
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Nickel Azo Yellow
Permanence: AA
Opacity: Transparent
Pigment: PY150
Pigment description: Nickel Complex Azo
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 12764
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Unbleached Titanium
Permanence: AA
Opacity: Opaque
Pigment: PW6
Pigment description: Rutile Titanium Dioxide (Untreated)
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic inorganic
Color Index Number: 77891
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Transparent Orange
Permanence: A
Opacity: Transparent
Pigment: PY83
Pigment description: Diarylide Yellow
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 21108
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Pyrrole Orange
Permanence: AA
Opacity: Semi-transparent
Pigment: PO73
Pigment description: Dipyrrolopyrrol
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 561170
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Pyrrole Red
Permanence: AA
Opacity: Opaque
Pigment: PR254
Pigment description: Pyrrolopyrrol
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 56110
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Naphthol Red Light
Permanence: A
Opacity: Opaque
Pigment: PR112
Pigment description: Naphthol AS
ASTM Rating Ligthfastness: II
Pigment classification: Synthetic organic
Color Index Number: 12370
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Naphthol Crimson
Permanence: B
Opacity: Semi-transparent
Pigment: PR5
Pigment description: Naphthol ITR
ASTM Rating Ligthfastness: II
Pigment classification: Synthetic organic
Color Index Number: 12490
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Quinacridone Red Magenta
Permanence: A
Opacity: Opaque
Pigment: PR122
Pigment description: Quinacridone
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 73915
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Quinacridone Burnt Orange
Permanence: AA
Opacity: Semi-transparent
Pigment: PR206
Pigment description: Quinacridone
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 73900 / 73920
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Quinacridone Crimson
Permanence: A
Opacity: Semi-transparent
Pigment: PR206, PR122
Pigment description: Quinacridone
ASTM Rating Ligthfastness: I
Pigment classification: Mixture
Color Index Number: –
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Quinacridone Violet
Permanence: A
Opacity: Opaque
Pigment: PV19
Pigment description: Quinacridone
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 73900
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Ultramarine Violet
Permanence: AA
Opacity: Semi-transparent
Pigment: PV15
Pigment description: Silicate of Sodium and Aluminum
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic inorganic
Color Index Number: 77007
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Cyan Blue
Permanence: AA
Opacity: Opaque
Pigment: PW6, PB15:3
Pigment description: Rutile Titanium Dioxide, Copper Phthalocyanine ß
ASTM Rating Ligthfastness: I
Pigment classification: Mixture
Color Index Number: –
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Ultramarine Blue
Permanence: AA
Opacity: Semi-transparent
Pigment: PB29
Pigment description: Silicate of Sodium and Aluminum with Sulfur
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic inorganic
Color Index Number: 77007
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Phthalo Blue
Permanence: AA
Opacity: Semi-transparent
Pigment: PB15:3
Pigment description: Copper Phthalocyanine ß
ASTM Rating Ligthfastness: I
Pigment classification: Organometallic
Color Index Number: 74160 b
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
Color: Anthraquinone Blue
Permanence: AA
Opacity: Opaque
Pigment: PB60
Pigment description: Indanthrone
ASTM Rating Ligthfastness: I
Pigment classification: Synthetic organic
Color Index Number: 69800
Viscosity range (mPa.s): 800 – 1.500
Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.
