Vallejo Acrylic Gouache, is a range of mat and opaque colors, formulated with the best fine arts pigments and an acrylic copolymer emulsion, to produce a creamy, self levelling paint film. of maximum opacity. Due to their medium viscosity and thixotropic quality, Acrylic Gouache brushes out easily on all surfaces without trace of brushstrokes, leaving an even and uniform surface. All colors can be mixed with one another, with acrylic mediums or diluted with water. The colors can be applied to all kinds of surfaces, including plastics or metals, and dry waterproof, UV resistant and permanent. Minimum temperature for film formation is 6ºC (42.8F) and freeze-thaw stability is excellent. Acrylic Gouache is used in fine arts and graphic arts wherever a totally flat, opaque surface is required. The colours have an ideal consistency for use with stencils and silk-screens. Painting tools are cleaned with water (or alcohol if the paint has dried.)
Acrylic Gouache conforms to the European Security Regulations and Environmental Standards of the REACH Protocol.

categoría
  • 4.059

    Prussian Blue (Hue)


    Opacity: Opaque
    Pigment: PB15:0, PBk11, PW6
    Pigment Description: Copper Phthalocyanine Blue, Black Iron oxide, Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 4.062

    Dark Blue


    Opacity: Opaque
    Pigment: PB15:0, PW6
    Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 4.063

    Primary Blue


    Opacity: Opaque
    Pigment: PB15:3, PW6
    Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 4.066

    Utramarine Blue


    Opacity: Opaque
    Pigment: PB29, PW6
    Pigment Description: Ultramarine Blue, Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 4.064

    Turquoise


    Opacity: Opaque
    Pigment: PB15:3, PG7, PW6
    Pigment Description: Copper Phthalocyanine Blue, Copper Phthalocyanine Green, Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 4.071

    Viridian


    Opacity: Opaque
    Pigment: PG7, PW6
    Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 4.072

    Yellow Green


    Opacity: Semiopaque
    Pigment: PG7, PW6, PY3
    Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide, Arylide Yellow
    ASTM Rating Ligthfastness: II
    Permanence: A
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 4.075

    Permanent Green


    Opacity: Opaque
    Pigment: PG7, PW6, PY3
    Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide, Arylide Yellow
    ASTM Rating Ligthfastness: II
    Permanence: A
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 4.077

    Olive Green


    Opacity: Opaque
    Pigment: PG7, PR101, PY42
    Pigment Description: Copper Phthalocyanine Green, Red Iron Oxide, Yellow Iron Oxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 3.085

    Ochre


    Opacity: Opaque
    Pigment: PW6, PY42
    Pigment Description: Titanium Dioxide, Yellow Iron Oxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 3.086

    Golden Ochre


    Opacity: Opaque
    Pigment: PR101, PW6, PY42
    Pigment Description: Red Iron Oxide, Titanium Dioxide, Yellow Iron Oxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 3.091

    Burnt Sienna


    Opacity: Opaque
    Pigment: PBk11, PR101, PY42
    Pigment Description: Black Iron Oxide, Yellow Iron Oxide, Red Iron Oxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 3.092

    Burnt Umber


    Opacity: Opaque
    Pigment: PBk11, PR101, PY42
    Pigment Description: Black Iron Oxide, Yellow Iron Oxide, Red Iron Oxide
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 3.095

    Carbon Black


    Opacity: Opaque
    Pigment: PBk7
    Pigment Description: Carbon Black
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 06.115

    Gold


    Opacity: Opaque
    Pigment: Mica, PR101, PBk7
    Pigment Description: Mica, Red Iron Oxide, Carbon Black
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 06.123

    Bronze


    Opacity: Opaque
    Pigment: Mica, PBk7, PY83
    Pigment Description: Mica, Carbon Black, Diarylide Yellow
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product
  • 06.121

    Silver


    Opacity: Opaque
    Pigment: Mica, PBk7
    Pigment Description: Mica, Carbon Black
    ASTM Rating Ligthfastness: I
    Permanence: AA
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

    View Product