Vallejo Acrylic Gouache, is a range of mat and opaque colors, formulated with the best fine arts pigments and an acrylic copolymer emulsion, to produce a creamy, self levelling paint film. of maximum opacity. Due to their medium viscosity and thixotropic quality, Acrylic Gouache brushes out easily on all surfaces without trace of brushstrokes, leaving an even and uniform surface. All colors can be mixed with one another, with acrylic mediums or diluted with water. The colors can be applied to all kinds of surfaces, including plastics or metals, and dry waterproof, UV resistant and permanent. Minimum temperature for film formation is 6ºC (42.8F) and freeze-thaw stability is excellent. Acrylic Gouache is used in fine arts and graphic arts wherever a totally flat, opaque surface is required. The colours have an ideal consistency for use with stencils and silk-screens. Painting tools are cleaned with water (or alcohol if the paint has dried.)
Acrylic Gouache conforms to the European Security Regulations and Environmental Standards of the REACH Protocol.

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03.090
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05.021
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05.022
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05.031
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05.032
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04.015
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05.041
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05.042
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05.045
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04.051
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04.052
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04.049
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04.057
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04.059
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04.062
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04.063
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04.066
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04.064
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04.071
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04.072
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04.075
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04.077
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03.085
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03.086
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03.091
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03.092
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03.095
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06.115
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06.123
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06.121
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  • 03.090

    Titanium White


    Color: Titanium White
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6
    Pigment description: Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 05.021

    Primary Yellow


    Color: Primary Yellow
    Permanence: AA
    Opacity: Semitransparent
    Pigment: PY3, PY83
    Pigment description: Arylide Yellow, Diarylide Yellow
    ASTM Rating Ligthfastness: II
    Pigment classification: Synthetic organic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 05.022

    Gold Yellow


    Color: Gold Yellow
    Permanence: AA
    Opacity: Opaque
    Pigment: PY3, PY83
    Pigment description: Arylide Yellow, Diarylide Yellow
    ASTM Rating Ligthfastness: II
    Pigment classification: Synthetic organic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 05.031

    Dark Yellow


    Color: Dark Yellow
    Permanence: AA
    Opacity: Opaque
    Pigment: PY83, PO73, PW6
    Pigment description: Diarylide Yellow, Dipyrrolopyrrol, Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 05.032

    Orange


    Color: Orange
    Permanence: AA
    Opacity: Opaque
    Pigment: PO73, PR254, PY83, PW6
    Pigment description: Dipyrrolopyrrol, Pyrrolopyrrol, Diarylide Yellow, Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.015

    Carnation Pink


    Color: Carnation Pink
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PY83, PO73, PR254, PR179
    Pigment description: Titanium Dioxide Rutile, Diarylide Yellow, Diketopyrrolo-pyrrole, Diketopyrrolo-pyrrole, Perylene Maroon
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 05.041

    Vermilion


    Color: Vermilion
    Permanence: AA
    Opacity: Opaque
    Pigment: PR254, PR179, PO73
    Pigment description: Pyrrolopyrrol, Perylene Maroon, Dipyrrolopyrrol
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic organic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 05.042

    Cadmium Red (Hue)


    Color: Cadmium Red Hue
    Permanence: AA
    Opacity: Opaque
    Pigment: PR254, PR179
    Pigment description: Pyrrolopyrrol, Perylene Maroon
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic organic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 05.045

    Primary Magenta


    Color: Primary Magenta
    Permanence: AA
    Opacity: Opaque
    Pigment: PR122, PW6
    Pigment description: Quinacridone, Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.051

    Rose Red


    Color: Rose Red
    Permanence: AA
    Opacity: Opaque
    Pigment: PR112, PW6
    Pigment description: Quinacridone, Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.052

    Dark Rose Red


    Color: Dark Rose Red
    Permanence: AA
    Opacity: Opaque
    Pigment: PR146, PW6
    Pigment description: Naphthol, Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.049

    Red Violet


    Color: Red Violet
    Permanence: AA
    Opacity: Opaque
    Pigment: PV19, PW6
    Pigment description: Quinacridone, Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic organic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.057

    Blue Violet


    Color: Blue Violet
    Permanence: AA
    Opacity: Opaque
    Pigment: PV23, PB15:3, PR146
    Pigment description: Carbazole Dioxazine, Copper Phthalocyanine, Naphthol
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.059

    Prussian Blue (Hue)


    Color: Prussian Blue (Hue)
    Permanence: AA
    Opacity: Opaque
    Pigment: PB15:0, PW6, PBk11
    Pigment description: Copper Phthalocyanine, Titanium Dioxide Rutile, Synthetic Black Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.062

    Dark Blue


    Color: Dark Blue
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PB15:0
    Pigment description: Titanium Dioxide Rutile, Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.063

    Primary Blue


    Color: Primary Blue
    Permanence: AA
    Opacity: Opaque
    Pigment: PB15:3, PW6
    Pigment description: Titanium Dioxide Rutile, Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.066

    Ultramarine Blue


    Color: Utramarine Blue
    Permanence: AA
    Opacity: Opaque
    Pigment: PB29, PW6
    Pigment description: Polysulfide of Sodium Alumino Silicate, Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.064

    Turquoise


    Color: Turquoise
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PB15:3, PG7
    Pigment description: Titanium Dioxide Rutile, Copper Phthalocyanine, Chlorinated Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.071

    Viridian


    Color: Viridian
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PG7, PB15:3
    Pigment description: Titanium Dioxide Rutile, Chlorinated Copper Phthalocyanine, Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.072

    Yellow Green


    Color: Yellow Green
    Permanence: AA
    Opacity: Semi-opaque
    Pigment: PY3, PG7
    Pigment description: Arylide Yellow, Chlorinated Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic organic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.075

    Permanent Green


    Color: Permanent Green
    Permanence: AA
    Opacity: Opaque
    Pigment: PY3, PG7
    Pigment description: Arylide Yellow, Chlorinated Copper Phthalocyanine, Diarylide Yellow
    ASTM Rating Ligthfastness: II
    Pigment classification: Synthetic organic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 04.077

    Olive Green


    Color: Olive Green
    Permanence: AA
    Opacity: Opaque
    Pigment: PY42, PR101, PG7
    Pigment description: Yellow Iron Oxide, Synthetic Iron Oxide, Chlorinated Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 03.085

    Ochre


    Color: Ochre
    Permanence: AA
    Opacity: Opaque
    Pigment: PY42, PR101
    Pigment description: Yellow Iron Oxide, Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 03.086

    Golden Ochre


    Color: Golden Ochre
    Permanence: AA
    Opacity: Opaque
    Pigment: PY42, PR101
    Pigment description: Yellow Iron Oxide, Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 03.091

    Burnt Sienna


    Color: Burnt Sienna
    Permanence: AA
    Opacity: Opaque
    Pigment: PY42, PR101, PBk11
    Pigment description: Yellow Iron Oxide, Synthetic Iron Oxide, Synthetic Black Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 03.092

    Burnt Umber


    Color: Burnt Umber
    Permanence: AA
    Opacity: Opaque
    Pigment: PY42, PR101, PBk11
    Pigment description: Yellow Iron Oxide, Synthetic Iron Oxide, Synthetic Black Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 03.095

    Carbon Black


    Color: Carbon Black
    Permanence: AA
    Opacity: Opaque
    Pigment: PBk7
    Pigment description: Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 06.115

    Gold


    Color: Gold
    Permanence: AA
    Opacity: Opaque
    Pigment: Mica, PR101, PBk7
    Pigment description: Mica, Synthetic Iron Oxide, Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 06.123

    Bronze


    Color: Bronze
    Permanence: AA
    Opacity: Opaque
    Pigment: Mica, PBk7, PY83
    Pigment description: Mica, Nearly Pure Amorphous Carbon, Diarylide Yellow
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 06.121

    Silver


    Color: Silver
    Permanence: AA
    Opacity: Opaque
    Pigment: Mica, PBk7
    Pigment description: Mica, Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic inorganic
    Color Index Number:
    Viscosity range (mPa.s): 2.000 – 3.000
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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