Vallejo Acrylic Gouache, is a range of mat and opaque colors, formulated with the best fine arts pigments and an acrylic copolymer emulsion, to produce a creamy, self levelling paint film. of maximum opacity. Due to their medium viscosity and thixotropic quality, Acrylic Gouache brushes out easily on all surfaces without trace of brushstrokes, leaving an even and uniform surface. All colors can be mixed with one another, with acrylic mediums or diluted with water. The colors can be applied to all kinds of surfaces, including plastics or metals, and dry waterproof, UV resistant and permanent. Minimum temperature for film formation is 6ºC (42.8F) and freeze-thaw stability is excellent. Acrylic Gouache is used in fine arts and graphic arts wherever a totally flat, opaque surface is required. The colours have an ideal consistency for use with stencils and silk-screens. Painting tools are cleaned with water (or alcohol if the paint has dried.)
Acrylic Gouache conforms to the European Security Regulations and Environmental Standards of the REACH Protocol.

categoría
  • 3.090

    Titanium White


    Opacity: Opaque
    Pigment: PW6
    Pigment Description: Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.021

    Primary Yellow


    Opacity: Semiopaque
    Pigment: PY3, PY83
    Pigment Description: Arylide Yellow, Diarylide Yellow
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.022

    Gold Yellow


    Opacity: Semiopaque
    Pigment: PW6, PY3, PY83
    Pigment Description: Titanium Dioxide, Arilyde Yellow, Diarylide Yellow
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.031

    Dark Yellow


    Opacity: Semiopaque
    Pigment: PW6, PY83
    Pigment Description: Titanium Dioxide, Diarylide Yellow
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.032

    Orange


    Opacity: Opaque
    Pigment: PO73, PW6, PY83
    Pigment Description: Diketopyrrolo-pyrrol, Titanium Dioxide, Diarylide Yellow
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.015

    Carnation Pink


    Opacity: Opaque
    Pigment: PO73, PW6, PY83
    Pigment Description: Diketopyrrolo-pyrrol orange, Titanium Dioxide, Diarylide Yellow
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.041

    Vermilion


    Opacity: Opaque
    Pigment: PR179, PR254
    Pigment Description: Perylene, Diketopyrrolo-pyrrol red
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.042

    Cadmium Red (Hue)


    Opacity: Semiopaque
    Pigment: PR179, PR254
    Pigment Description: Perylene, Diketopyrrolo-pyrrol red
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 5.045

    Primary Magenta


    Opacity: Opaque
    Pigment: PR122, PW6
    Pigment Description: Quinacridone, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.051

    Rose Red


    Opacity: Opaque
    Pigment: PR112, PR146, PW6
    Pigment Description: Naphthol AS, Titanium Dioxide
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.052

    Dark Rose Red


    Opacity: Opaque
    Pigment: PR146, PW6
    Pigment Description: Naphthol AS, Titanium Dioxide Rutile
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.049

    Red Violet


    Opacity: Opaque
    Pigment: PV19, PW6
    Pigment Description: Quinacridone, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.057

    Blue Violet


    Opacity: Opaque
    Pigment: PV23, PW6
    Pigment Description: Dioxazine, Titanium Dioxide
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.059

    Prussian Blue (Hue)


    Opacity: Opaque
    Pigment: PB15:0, PBk11, PW6
    Pigment Description: Copper Phthalocyanine Blue, Black Iron oxide, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness:
    I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.062

    Dark Blue


    Opacity: Opaque
    Pigment: PB15:0, PW6
    Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.063

    Primary Blue


    Opacity: Opaque
    Pigment: PB15:3, PW6
    Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.066

    Utramarine Blue


    Opacity: Opaque
    Pigment: PB29, PW6
    Pigment Description: Ultramarine Blue, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 4.064

    Turquoise


    Opacity: Opaque
    Pigment: PB15:3, PG7, PW6
    Pigment Description: Copper Phthalocyanine Blue, Copper Phthalocyanine Green, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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