Liquid Acrylic is a range of matt, very fluid acrylic colors, developed with the best fine art pigments, -chosen for their maximum degree of light fastness and stability, dispersed in a low viscosity formula, (250-400cPs). The colors have been especially formulated for airbrushes but can also be used with a brush or technical fountain pen, for techniques of dripping-pouring, stenciling, dotting, as an ink for paint markers; for printing, calligraphy, collages, serigraphic printing and textile painting. The colors are acid free and are ideal for scrapbooking and retouching photographs. The colors form a film of excellent adhesion, flexibility and resistance, and can be mixed or combined with acrylic mediums and textures, or diluted with water to obtain water color effects. All of the colors are water-resistant when dry, non yellowing and UV resistant.
Liquid Acrylic conforms to the European Security Regulations and Environmental Standards of the REACH Protocol and to standards of EN 71-3:2013. For more information please consult the Material Safety Data Sheets (MSDS) at the Vallejo website.

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32.823
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32.801
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32.802
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32.803
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32.804
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32.822
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32.831
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32.832
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32.805
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32.806
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32.807
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32.808
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32.809
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32.810
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32.833
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32.811
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32.812
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32.813
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32.814
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32.815
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32.816
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32.817
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32.820
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32.821
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32.851
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32.824
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32.841
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32.842
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32.847
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32.848
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  • 32.823

    White


    Color: White
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6
    Pigment description: Rutile Titanium Dioxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic Inorganic
    Color Index Number: 77891
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.801

    Primary Yellow


    Color: Primary Yellow
    Permanence: AA
    Opacity: Transparent
    Pigment: PY3
    Pigment description: Arylide Yellow
    ASTM Rating Ligthfastness: II
    Pigment classification: Synthetic Organic
    Color Index Number: 11710
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.802

    Dark Yellow


    Color: Dark Yellow
    Permanence: AA
    Opacity: Transparent
    Pigment: PY3, PY83
    Pigment description: Arylide Yellow, Diarylide Yellow
    ASTM Rating Ligthfastness:
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.803

    Orange Yellow


    Color: Orange Yellow
    Permanence: AA
    Opacity: Transparent
    Pigment: PY83
    Pigment description: Diarylide Yellow, Naphthol AS-D
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic Organic
    Color Index Number: 21108
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.804

    Orange


    Color: Orange
    Permanence: AA
    Opacity: Transparent
    Pigment: PY83, PR112
    Pigment description: Diarylide Yellow
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.822

    Flesh Tint


    Color: Flesh Tint
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PY3, PR101
    Pigment description: Rutile Titanium Dioxide, Diarylide, Synthetic Iron Oxides
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.831

    Orange Red


    Color: Orange Red
    Permanence: AA
    Opacity: Transparent
    Pigment: PY83, PR112
    Pigment description: Diarylide, Naphthol AS
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.832

    Bright Red


    Color: Bright Red
    Permanence: AA
    Opacity: Transparent
    Pigment: PY83, PR112
    Pigment description: Diarylide, Naphthol AS
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.805

    Scarlet Red


    Color: Scarlet Red
    Permanence: AA
    Opacity: Transparent
    Pigment: PR112
    Pigment description: Naphthol AS
    ASTM Rating Ligthfastness: II
    Pigment classification: Synthetic Organic
    Color Index Number: 12370
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.806

    Primary Magenta


    Color: Primary Magenta
    Permanence: AA
    Opacity: Transparent
    Pigment: PR184
    Pigment description: Quinacridone
    ASTM Rating Ligthfastness:
    Pigment classification: Synthetic Organic
    Color Index Number: 12487
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.807

    Carmine Red


    Color: Carmine Red
    Permanence: AA
    Opacity: Transparent
    Pigment: PR146
    Pigment description: Naphthol
    ASTM Rating Ligthfastness:
    Pigment classification: Synthetic Organic
    Color Index Number: 12485
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.808

    Quinacridone Red


    Color: Quinacridone Red
    Permanence: AA
    Opacity: Transparent
    Pigment: PV19
    Pigment description: Quinacridone
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic Organic
    Color Index Number: 73900
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.809

    Violet


    Color: Violet
    Permanence: AA
    Opacity: Opaque
    Pigment: PV23
    Pigment description: Carbazole Dioxazine
    ASTM Rating Ligthfastness: II
    Pigment classification: Synthetic Organic
    Color Index Number: 51319
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.810

    Ultramarine Blue


    Color: Ultramarine Blue
    Permanence: AA
    Opacity: Opaque
    Pigment: PB15:3, PV23
    Pigment description: Copper Phthalocyanine ß, Dioxazine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.833

    Prussian Blue


    Color: Prussian Blue
    Permanence: AA
    Opacity: Opaque
    Pigment: PB15:3, PW6
    Pigment description: Copper Phthalocyanine, Titanium Dioxide Rutile
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.811

    Primary Cyan


    Color: Primary Cyan
    Permanence: AA
    Opacity: Opaque
    Pigment: PB15:3
    Pigment description: Copper Phthalocyanine ß
    ASTM Rating Ligthfastness: I
    Pigment classification: Organometallic
    Color Index Number: 74160 b
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.812

    Turquoise


    Color: Turquoise
    Permanence: AA
    Opacity: Transparent
    Pigment: PB15:3, PG7
    Pigment description: Copper Phthalocyanine ß, Chlorinated Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.813

    Chartreuse


    Color: Chartreuse
    Permanence: AA
    Opacity: Transparent
    Pigment: PY3, PG7
    Pigment description: Arylide Yellow, Chlorinated Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.814

    Brilliant Green


    Color: Brilliant Green
    Permanence: AA
    Opacity: Transparent
    Pigment: PY3, PG7
    Pigment description: Arylide Yellow, Chlorinated Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.815

    Emerald


    Color: Emerald
    Permanence: AA
    Opacity: Transparent
    Pigment: PG7
    Pigment description: Chlorinated Copper Phthalocyanine
    ASTM Rating Ligthfastness: I
    Pigment classification: Organometallic
    Color Index Number: 74260
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.816

    Olive Green


    Color: Olive Green
    Permanence: AA
    Opacity: Opaque
    Pigment: Mixture
    Pigment description: Mixture of organic pigments dispersed in water
    ASTM Rating Ligthfastness:
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.817

    Ochre


    Color: Ochre
    Permanence: AA
    Opacity: Transparent
    Pigment: PY42
    Pigment description: Synthetic Iron Oxide
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic Inorganic
    Color Index Number: 77492
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.820

    Mahogany


    Color: Mahogany
    Permanence: AA
    Opacity: Opaque
    Pigment: PY83, PR112
    Pigment description: Arylide, Naphthol AS
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.821

    Burnt Umber


    Color: Burnt Umber
    Permanence: AA
    Opacity: Opaque
    Pigment: PY83, PR112
    Pigment description: Arylide, Naphthol AS
    ASTM Rating Ligthfastness: II
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.851

    Neutral Grey


    Color: Neutral Grey
    Permanence: AA
    Opacity: Opaque
    Pigment: PW6, PBk7
    Pigment description: Titanium Dioxide Rutile, Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: I
    Pigment classification: Mixture
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.824

    Black


    Color: Black
    Permanence: AA
    Opacity: Opaque
    Pigment: PBk7
    Pigment description: Nearly Pure Amorphous Carbon
    ASTM Rating Ligthfastness: I
    Pigment classification: Synthetic Inorganic
    Color Index Number: 77266
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.841

    Silver


    Color: Silver
    Permanence: AA
    Opacity: Opaque
    Pigment: Pigment from Aluminum
    Pigment description:
    ASTM Rating Ligthfastness:
    Pigment classification:
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.842

    Gold


    Color: Gold
    Permanence: AA
    Opacity: Opaque
    Pigment: Pigment from Cu/Zn
    Pigment description:
    ASTM Rating Ligthfastness:
    Pigment classification:
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.847

    Fluorescent Red


    Color: Fluorescent Red
    Permanence: AA
    Opacity: Semi-transparent
    Pigment: Fluorescents
    Pigment description: Fluorescent Red
    ASTM Rating Ligthfastness:
    Pigment classification:
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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  • 32.848

    Fluorescent Yellow


    Color: Fluorescent Yellow
    Permanence: AA
    Opacity: Semi-transparent
    Pigment: Fluorescents
    Pigment description: Fluorescent Yellow
    ASTM Rating Ligthfastness:
    Pigment classification:
    Color Index Number:
    Viscosity range (mPa.s): 200 – 500
    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


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