This paint set provides you with all the colors needed to paint the models belonging to the Haqqislam Army. Included in the set you will find a Ghulam Infantry exclusive miniature only available in this presentation. In addition, you can follow Ángel Giráldez’s step by step guide to assist you in painting your miniature with spectacular results.
A set designed for beginners in the hobby, amateur painters looking to expand their skills, or experts who want to have all the colors needed to paint their favorite miniatures in a single pack.

Content:
70.950 Black
70.983 Flat Earth
72.153 Heavy Brown
70.847 Dark Sand
70.823 Luftwaffe Cam. Green
70.922 Uniform Green
70.845 Sunny Skin Tone
70.953 Flat Yellow

This paint set provides you with all the colors needed to paint the models belonging to the Yu Jing Army. Included in the set you will find a Zhanshi Forward Observer exclusive miniature only available in this presentation. In addition, you can follow Ángel Giráldez’s step by step guide to assist you in painting your miniature with spectacular results.
A set designed for beginners in the hobby, amateur painters looking to expand their skills, or experts who want to have all the colors needed to paint their favorite miniatures in a single pack.
Contains 8 Model Color in 17 ml./0.57 fl.oz. bottles and an Exclusive Zhanshi Forward Observer only available in this presentation. Content:
70.950 Black
72.147 Heavy Black Green
70.309 Periscopes
70.982 Cavalry Brown
70.981 Orange Brown
72.038 Scrofulous Brown
70.858 Ice Yellow
70.951 White

Opacity: Opaque
Pigment: PB15:0, PBk11, PW6
Pigment Description: Copper Phthalocyanine Blue, Black Iron oxide, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PB15:0, PW6
Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PB15:3, PW6
Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PB29, PW6
Pigment Description: Ultramarine Blue, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PB15:3, PG7, PW6
Pigment Description: Copper Phthalocyanine Blue, Copper Phthalocyanine Green, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PG7, PW6
Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PG7, PW6, PY3
Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide, Arylide Yellow
ASTM Rating Ligthfastness: II
Permanence: A
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PG7, PW6, PY3
Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide, Arylide Yellow
ASTM Rating Ligthfastness: II
Permanence: A
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PG7, PR101, PY42
Pigment Description: Copper Phthalocyanine Green, Red Iron Oxide, Yellow Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PW6, PY42
Pigment Description: Titanium Dioxide, Yellow Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR101, PW6, PY42
Pigment Description: Red Iron Oxide, Titanium Dioxide, Yellow Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PBk11, PR101, PY42
Pigment Description: Black Iron Oxide, Yellow Iron Oxide, Red Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PBk11, PR101, PY42
Pigment Description: Black Iron Oxide, Yellow Iron Oxide, Red Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PBk7
Pigment Description: Carbon Black
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: Mica, PR101, PBk7
Pigment Description: Mica, Red Iron Oxide, Carbon Black
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: Mica, PBk7, PY83
Pigment Description: Mica, Carbon Black, Diarylide Yellow
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.