Set of 8 Model Air Colors, developed for painting the camouflage patterns of the French Air Force during the Second World War, starting with the initial period in 1939, the end of the Battle for France in June 1940, and the subsequent armistice in November 1942. The set contains the profiles of airplanes with indications and detailed descriptions of the colors needed for painting the camouflage patterns.

Content:
71.078 Yellow RLM04
71.269 Red
71.035 Camouflage Pale Brown
71.043 US Olive Drab
71.040 Burnt Umber
71.093 NATO Green
71.275 USAF Medium Gray
71.047 Grey

Set of 8 Model Air Colors, developed for painting the camouflage patterns of the French Air Force, in the period starting with the end of the WWII until to date. The set includes the color for the natural metal finish, commonly used during the decades of the 50’s & 60’s, the colors for the mimetic schemes of air superiority patterns and desert camouflage named “Chad” and the color for the latest tendency of low visibility grey. The set contains profiles of the airplanes with detailed descriptions of the camouflage patterns and the colors needed for painting them.

Content:
71.062 Aluminium (Metallic)
71.277 Dark Gull Gray
71.097 Medium Gunship Gray
71.299 Intermediate Blue
71.400 UK Desert Pink
71.035 Camouflage Pale Brown
71.294 US Forest Green
70.615 USN Light Ghost Grey

Set of 6 Model Air colors which includes all the tones used to depict the different camouflage schemes used by the USMC on its vehicles, as well as the reference Ocean Grey, used on AMTRAC units operating in Saipan or Tarawa, as well as other combat landing areas. The set contains the profiles of vehicles with indications and detailed descriptions of the colors needed for painting the camouflage patterns.

Content:
71.279 Insignia White
71.139 US Field Drab
71.043 US Olive Drab
71.137 US Light Green
71.294 US Forest Green
71.273 Ocean Gray

Set of 6 Model Air colors which includes all the tones used to depict the different camouflage schemes specifically used by the USMC on its vehicles in combat zones
such as Okinawa or Iwo Jima. The set contains the profiles of vehicles with indications and detailed descriptions of the colors needed for painting the camouflage patterns.

Content:
71.075 Ivory
71.037 Mud Brown
71.293 US Earth Red
71.290 US Earth Brown
71.043 US Olive Drab
71.057 Black

Set of 8 Model Air colors which includes all the tones used as base colors as well as those used to create the different camouflage schemes used in Europe (ETO), winter pattern camo and the schemes used by operating vehicles in North Africa. The set contains the profiles of vehicles with indications and detailed descriptions of the colors needed for painting the camouflage patterns.

Content:
71.001 White
71.132 Aged White
71.075 Ivory
71.138 US Sand
71.137 US Light Green
71.289 US Dark Green
71.303 A-24M Camouflage Green
71.043 US Olive Drab

Warpaint Armour 1: Armour of the Eastern Front 1941-1945

“Armour of the Eastern Front 1941-1945” is the first in the new series by Guideline License Publications and the team that brings you Military Modelcraft International in collaboration with Acrylicos Vallejo.

The publication examines some of the AFVs that shaped the war on the Eastern Front during World War II – or the “Great Patriotic War” as it is remembered in Russia – which was a titanic conflict and the greatest clash of arms in history.

The subjects have been chosen with the modeler in mind and each article provides both reference and inspiration using authoritative text, archival and walkaround photos as well was specially commissioned colour profiles.

Number of pages: 84
Format: A4
Language: English

Opacity: Opaque
Pigment: PW6
Pigment Description: Titanium Dioxide
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PY3, PY83
Pigment Description: Arylide Yellow, Diarylide Yellow
Permanence: A
ASTM Rating Lightfastness: II
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PW6, PY3, PY83
Pigment Description: Titanium Dioxide, Arilyde Yellow, Diarylide Yellow
Permanence: A
ASTM Rating Lightfastness: II
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PW6, PY83
Pigment Description: Titanium Dioxide, Diarylide Yellow
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PO73, PW6, PY83
Pigment Description: Diketopyrrolo-pyrrol, Titanium Dioxide, Diarylide Yellow
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PO73, PW6, PY83
Pigment Description: Diketopyrrolo-pyrrol orange, Titanium Dioxide, Diarylide Yellow
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR179, PR254
Pigment Description: Perylene, Diketopyrrolo-pyrrol red
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PR179, PR254
Pigment Description: Perylene, Diketopyrrolo-pyrrol red
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR122, PW6
Pigment Description: Quinacridone, Titanium Dioxide
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR112, PR146, PW6
Pigment Description: Naphthol AS, Titanium Dioxide
Permanence: A
ASTM Rating Lightfastness: II
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR146, PW6
Pigment Description: Naphthol AS, Titanium Dioxide Rutile
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PV19, PW6
Pigment Description: Quinacridone, Titanium Dioxide
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.