Warpaint Armour 1: Armour of the Eastern Front 1941-1945

“Armour of the Eastern Front 1941-1945” is the first in the new series by Guideline License Publications and the team that brings you Military Modelcraft International in collaboration with Acrylicos Vallejo.

The publication examines some of the AFVs that shaped the war on the Eastern Front during World War II – or the “Great Patriotic War” as it is remembered in Russia – which was a titanic conflict and the greatest clash of arms in history.

The subjects have been chosen with the modeler in mind and each article provides both reference and inspiration using authoritative text, archival and walkaround photos as well was specially commissioned colour profiles.

Number of pages: 84
Format: A4
Language: English

Opacity: Opaque
Pigment: PW6
Pigment Description: Titanium Dioxide
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PY3, PY83
Pigment Description: Arylide Yellow, Diarylide Yellow
Permanence: A
ASTM Rating Lightfastness: II
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PW6, PY3, PY83
Pigment Description: Titanium Dioxide, Arilyde Yellow, Diarylide Yellow
Permanence: A
ASTM Rating Lightfastness: II
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PW6, PY83
Pigment Description: Titanium Dioxide, Diarylide Yellow
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PO73, PW6, PY83
Pigment Description: Diketopyrrolo-pyrrol, Titanium Dioxide, Diarylide Yellow
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PO73, PW6, PY83
Pigment Description: Diketopyrrolo-pyrrol orange, Titanium Dioxide, Diarylide Yellow
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR179, PR254
Pigment Description: Perylene, Diketopyrrolo-pyrrol red
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PR179, PR254
Pigment Description: Perylene, Diketopyrrolo-pyrrol red
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR122, PW6
Pigment Description: Quinacridone, Titanium Dioxide
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR112, PR146, PW6
Pigment Description: Naphthol AS, Titanium Dioxide
Permanence: A
ASTM Rating Lightfastness: II
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR146, PW6
Pigment Description: Naphthol AS, Titanium Dioxide Rutile
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PV19, PW6
Pigment Description: Quinacridone, Titanium Dioxide
Permanence: AA
ASTM Rating Lightfastness: I
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

The set is the perfect introduction for newcomers to the wonderful hobby of miniature painting and contains 8 colors, an exclusive Nox Miniature (Forward Observer) only available in this presentation and a step-by-step by Ángel Giráldez.

Contains:
70.918 Ivory
70.035 Dead Flesh
70.815 Basic Skin Tone
70.845 Sunny Skin Tone
70.810 Royal Purple
72.011 Gory Red
70.859 Black Red
70.950 Black

The set is the perfect introduction for newcomers to the wonderful hobby of miniature painting and contains 8 colors, an exclusive Kappa Unit Miniature (Medikit) only available in this presentation and a step-by-step by Ángel Giráldez.

Contains:
70.950 Black
70.899 Dark Prussian Blue
70.962 Flat Blue
70.961 Sky Blue
70.921 English Uniform
70.923 Japan Uniform WWII
70.808 Blue Green
70.858 Ice Yellow

The Magic Dust paint set contains the following high contrast chromatic references. Includes 6 Colorshift in bottles of 17 ml./0.57 fl.oz., with eyedropper.

Contains:
77.001 Violet / Old Copper
77.006 Gold / Pale Blue
77.007 Pearl / Violet
77.011 Old Silver / Violet
77.012 Silver / Pink
77.015 Gold Yellow / Burnt Orange

The Space Dust paint set contains the following warm shades with subtle chromatic variations. Includes 6 Colorshift in bottles of 17 ml./0.57 fl.oz., with eyedropper.

Contains:
77.003 Orange / Violet
77.004 Electric Blue / Intense Violet
77.005 Green / Blue Violet
77.013 Bright Gold / Brown
77.014 Old Gold / Grey Violet
77.016 Red / Gold

The Galaxy Dust paint set contains the following cold shades with subtle chromatic variations. Includes 6 Colorshift in bottles of 17 ml./0.57 fl.oz., with eyedropper.

Contains:
77.002 Light Violet / Green
77.008 Green Gold / Cold Blue
77.009 Turquoise / Violet
77.010 Emerald Green / Mauve
77.017 Green / Silver Blue
77.018 Dark Green / Tin