• 75.014

    Warpaint Armour 1: Armour of the Eastern Front 1941-1945


    Warpaint Armour 1: Armour of the Eastern Front 1941-1945

    “Armour of the Eastern Front 1941-1945” is the first in the new series by Guideline License Publications and the team that brings you Military Modelcraft International in collaboration with Acrylicos Vallejo.

    The publication examines some of the AFVs that shaped the war on the Eastern Front during World War II – or the “Great Patriotic War” as it is remembered in Russia – which was a titanic conflict and the greatest clash of arms in history.

    The subjects have been chosen with the modeler in mind and each article provides both reference and inspiration using authoritative text, archival and walkaround photos as well was specially commissioned colour profiles.

    Number of pages: 84
    Format: A4
    Language: English


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  • 3.090

    Titanium White


    Opacity: Opaque
    Pigment: PW6
    Pigment Description: Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 5.021

    Primary Yellow


    Opacity: Semiopaque
    Pigment: PY3, PY83
    Pigment Description: Arylide Yellow, Diarylide Yellow
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 5.022

    Gold Yellow


    Opacity: Semiopaque
    Pigment: PW6, PY3, PY83
    Pigment Description: Titanium Dioxide, Arilyde Yellow, Diarylide Yellow
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 5.031

    Dark Yellow


    Opacity: Semiopaque
    Pigment: PW6, PY83
    Pigment Description: Titanium Dioxide, Diarylide Yellow
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 5.032

    Orange


    Opacity: Opaque
    Pigment: PO73, PW6, PY83
    Pigment Description: Diketopyrrolo-pyrrol, Titanium Dioxide, Diarylide Yellow
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 4.015

    Carnation Pink


    Opacity: Opaque
    Pigment: PO73, PW6, PY83
    Pigment Description: Diketopyrrolo-pyrrol orange, Titanium Dioxide, Diarylide Yellow
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 5.041

    Vermilion


    Opacity: Opaque
    Pigment: PR179, PR254
    Pigment Description: Perylene, Diketopyrrolo-pyrrol red
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 5.042

    Cadmium Red (Hue)


    Opacity: Semiopaque
    Pigment: PR179, PR254
    Pigment Description: Perylene, Diketopyrrolo-pyrrol red
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 5.045

    Primary Magenta


    Opacity: Opaque
    Pigment: PR122, PW6
    Pigment Description: Quinacridone, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 4.051

    Rose Red


    Opacity: Opaque
    Pigment: PR112, PR146, PW6
    Pigment Description: Naphthol AS, Titanium Dioxide
    Permanence: A
    ASTM Rating Lightfastness: II
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 4.052

    Dark Rose Red


    Opacity: Opaque
    Pigment: PR146, PW6
    Pigment Description: Naphthol AS, Titanium Dioxide Rutile
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 4.049

    Red Violet


    Opacity: Opaque
    Pigment: PV19, PW6
    Pigment Description: Quinacridone, Titanium Dioxide
    Permanence: AA
    ASTM Rating Lightfastness: I
    Viscosity Range (mPa.s): 2.500 – 3.000

    Color Index
    The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.


    0,00

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  • 70.241

    Shasvastii


    The set is the perfect introduction for newcomers to the wonderful hobby of miniature painting and contains 8 colors, an exclusive Nox Miniature (Forward Observer) only available in this presentation and a step-by-step by Ángel Giráldez.

    Contains:
    70.918 Ivory
    70.035 Dead Flesh
    70.815 Basic Skin Tone
    70.845 Sunny Skin Tone
    70.810 Royal Purple
    72.011 Gory Red
    70.859 Black Red
    70.950 Black


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  • 70.239

    O-12


    The set is the perfect introduction for newcomers to the wonderful hobby of miniature painting and contains 8 colors, an exclusive Kappa Unit Miniature (Medikit) only available in this presentation and a step-by-step by Ángel Giráldez.

    Contains:
    70.950 Black
    70.899 Dark Prussian Blue
    70.962 Flat Blue
    70.961 Sky Blue
    70.921 English Uniform
    70.923 Japan Uniform WWII
    70.808 Blue Green
    70.858 Ice Yellow


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  • 77.090

    Magic Dust


    The Magic Dust paint set contains the following high contrast chromatic references. Includes 6 Colorshift in bottles of 17 ml./0.57 fl.oz., with eyedropper.

    Contains:
    77.001 Violet / Old Copper
    77.006 Gold / Pale Blue
    77.007 Pearl / Violet
    77.011 Old Silver / Violet
    77.012 Silver / Pink
    77.015 Gold Yellow / Burnt Orange


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  • 77.091

    Space Dust


    The Space Dust paint set contains the following warm shades with subtle chromatic variations. Includes 6 Colorshift in bottles of 17 ml./0.57 fl.oz., with eyedropper.

    Contains:
    77.003 Orange / Violet
    77.004 Electric Blue / Intense Violet
    77.005 Green / Blue Violet
    77.013 Bright Gold / Brown
    77.014 Old Gold / Grey Violet
    77.016 Red / Gold


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  • 77.092

    Galaxy Dust


    The Galaxy Dust paint set contains the following cold shades with subtle chromatic variations. Includes 6 Colorshift in bottles of 17 ml./0.57 fl.oz., with eyedropper.

    Contains:
    77.002 Light Violet / Green
    77.008 Green Gold / Cold Blue
    77.009 Turquoise / Violet
    77.010 Emerald Green / Mauve
    77.017 Green / Silver Blue
    77.018 Dark Green / Tin


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