Opacity: Opaque
Pigment: PB15:0, PBk11, PW6
Pigment Description: Copper Phthalocyanine Blue, Black Iron oxide, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PB15:0, PW6
Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PB15:3, PW6
Pigment Description: Copper Phthalocyanine Blue, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PB29, PW6
Pigment Description: Ultramarine Blue, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PB15:3, PG7, PW6
Pigment Description: Copper Phthalocyanine Blue, Copper Phthalocyanine Green, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PG7, PW6
Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Semiopaque
Pigment: PG7, PW6, PY3
Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide, Arylide Yellow
ASTM Rating Ligthfastness: II
Permanence: A
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PG7, PW6, PY3
Pigment Description: Copper Phthalocyanine Green, Titanium Dioxide, Arylide Yellow
ASTM Rating Ligthfastness: II
Permanence: A
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PG7, PR101, PY42
Pigment Description: Copper Phthalocyanine Green, Red Iron Oxide, Yellow Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PW6, PY42
Pigment Description: Titanium Dioxide, Yellow Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PR101, PW6, PY42
Pigment Description: Red Iron Oxide, Titanium Dioxide, Yellow Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PBk11, PR101, PY42
Pigment Description: Black Iron Oxide, Yellow Iron Oxide, Red Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PBk11, PR101, PY42
Pigment Description: Black Iron Oxide, Yellow Iron Oxide, Red Iron Oxide
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: PBk7
Pigment Description: Carbon Black
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: Mica, PR101, PBk7
Pigment Description: Mica, Red Iron Oxide, Carbon Black
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: Mica, PBk7, PY83
Pigment Description: Mica, Carbon Black, Diarylide Yellow
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Opacity: Opaque
Pigment: Mica, PBk7
Pigment Description: Mica, Carbon Black
ASTM Rating Ligthfastness: I
Permanence: AA
Viscosity Range (mPa.s): 2.500 – 3.000

Color Index
The pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Drawing Ink has been formulated with permanent pigments and a water-based natural resin. All the colors can be diluted with water and mixed with one another. India Ink has excellent adherence on paper, cardboard and polyester, as well as on most other surfaces, although it is recommended to use paper with higher grammage to absorb the ink; on fine grained paper the ink may soak through.
The colors can be used with a brush, pen, airbrush or fountain pen, depending on the kind of outline and effect desired.
Drawing Ink is ideal for outlines, technical drawings and shading and can be applied directly on the surface to obtain a result of high contrast; or diluted with water to achieve graded effects by the application of several layers of progressive intensity of color.
Pens, brushes and painting tools can be cleaned with water. For fine pens, it is recommended to use absorbent paper to clean the pen immediately after use, and not allow the ink to dry on the tip. For brushes, clean up with water and dry thoroughly.