Sizes:
Nº 0: 1,9 mm.
Nº 1: 2,2 mm.
Nº 2: 2,4 mm.
Nº 3: 2,7 mm.
Nº 4: 3,4 mm.
Nº 5: 3,6 mm.
Nº 6: 3,9 mm.
Nº 7: 4,4 mm.
Nº 8: 4,9 mm.

Sizes:
Nº 2: 4,3 mm.
Nº 4: 5,3 mm.
Nº 6: 7,3 mm.
Nº 8: 8,4 mm.
Nº 10: 9,7 mm.
Nº 12: 12,7 mm.

Sizes:
Nº 2: 4,0 mm.
Nº 4: 5,1 mm.
Nº 6: 6,3 mm.
Nº 8: 8,8 mm.
Nº 10: 10 mm.
Nº 12: 11,3 mm.

Sizes:
Nº 1/4: 7,4 mm.
Nº 3/8: 10 mm.
Nº 1/2: 12,5 mm.

Textile brush of strong white nylon. Silver ferrule, short laquered handle.

Sizes:
Nº 0, Nº 2, Nº 4, Nº 6

Long pointed brush of pure black ox ear hair, seamless nickeled brass ferrule, short white handle.

Sizes:
Nº 4, Nº 6, Nº 8, Nº 10, Nº 12

Brush with synthetic hair, rounded, laquered wood handle.

Sizes:
Nº 2, Nº 4, Nº 6

Synthetic sponge brush. Wooden handle.

Sizes:
HS00.4: 2,5 cm.
HS00.7: 5 cm.
HS00.8: 7 cm.

To create the appearance of woodgrain. The grain pattern is reversible and a change in the position of the handle allows for fine or broad grain image.

Primer of Titanium White and Acrylic Polymer, used for the preparation of canvas and other surfaces such as wood, ceramic, gypsum, metal or cement. Mixeable with water or Acrylic Artist Color. White Gesso dries to a matt, is permanent, flexible, lightfast, non-yellowing and water resistant when dry. Dries quickly and can be overpainted with any medium, including oils.

Acrylic Primer of iron oxide and Acrylic Polymer. Mixeable with water or Acrylic Artist Color. Dirty or oily surfaces should be cleaned before priming. Gesso is permanent, flexible, lightfast, non-yellowing and water resistant when dry. Dries quickly and can be overpainted with any medium, including oils.

Transparent Gesso can be mixed with water or Acrylic Artist Color. Dirty or oily surfaces should be cleaned before priming. Clear Gesso is permanent, flexible, lightfast non-yellowing and water resistant when dry. Dries quickly and can be overpainted with any medium including oils and pastels.

Traditional natural water-based medium used with paints. It renders the colors a more transparent, elastic and glossy. Gum Arabic is also used in some crackling techniques.

Liquid Mask is used to reserve areas which are to remain unpainted. Once the work is dry, liquid mask is rubbed off with an eraser or piece of cloth, revealing the unpainted area.

Gold leaf binder. A water-based resin which is used principally to fix gold and silver leaves in gilding techniques.

Retards drying time of acrylic colors. Used mainly in silk screen printing. Can be used with Textile Color, or mixed 50/50% with fine arts acrylic colors (Acrylic Artist, Studio or Gouache), or decorative arts (Arte Deco, etc.).

Medium for the transfer of printed images. Apply Medium to surface, place image face down on the surface. Allow several hours drying time. Moisten paper and remove by rubbing gentyly with fingers.

Water-based medium. Used between two coats of paint to create a weathered surface, or as a final coat for a transparent crackled surface.